Rick and Morty TV Evaluate

Grandfathers are alleged to be wise, genial figures of their grandchildren’s lives—perhaps someone who teaches the children how to fish, shares the enjoyment of old motion pictures and, of course, tells interminably lengthy stories.

However not all grandfathers fit that template. Some are less sensible and genial and more good and sociopathic.

Take Rick Sanchez, for instance. After having been gone—like, really gone—for a couple of decades, the old man with the blue pointy hair suddenly shows up on daughter Beth’s doorstep and moves in. It is apparent to everybody that he’s not precisely, um, right, if you know what I mean. But maybe that is merely a side impact of his adventures—courtesy of a portal-creating gun— by way of an unfolding and chaotic multiverse.

He is seen things, man.

But nihilistic dystopian adventures aren’t any enjoyable with no little company. While Beth is basically oblivious to Rick’s sci-fi shenanigans, her children—high-strung 14-yr-old Morty and his rebellious, world weary older sister, Summer—are all too acquainted with them. Morty has been a party to pert close to each one in all Grandpa Rick’s misadventures, and Summer is increasingly well traveled herself.

But when journey is meant to increase one’s mind in most case, Rick’s interdimensional hopping appears to be imploding on itself.

Rick and Morty has earned, in the words of Wikipedia, “common acclaim,” boasting a 100% positive review score on, well, no matter rating site you’d wish to use. Except ours, of course. So Wikipedia must amend its take to “near universal acclaim,” as we’ve got some nits to pick with Rick and Morty.

This is not to say that the show isn’t clever, or well written, or even funny. It could actually be. But it surely may also be incredibly bleak and darkish and problematic and troubling. And Rick is … how can we put this gently … a big ol’ jerk.

It isn’t my opinion. He’s speculated to be a jerk. The show has given Morty’s blue-haired grandpa signs of just about every misanthropic malady and psychotic tic known to humankind.

“Now, listen,” he tells Morty and Summer time during an all-too-typical coronary heart-to-coronary heart talk, “I know the two of you are very different from each other in lots of methods, but you must understand that so far as Grandpa’s concerned, you are each pieces of (bleep)! Yeah. I can prove it mathematically.”

Grandpa Rick has little regard for family, on condition that the infinite multiverse contains more members of the family than he can probably count. He calls marriage “funerals with cake,” and cares not a whit about his daughter, Beth, and her husband, Jerry, or the best way they choose to parent their kids.

And Rick’s bleak worldview permeates all the show. Even Morty, a more sympathetic character who seems to truly care for those round him, is infected by his grandfather’s godless, existential nihilism. “Nobody exists on objective,” Morty tells his sister. “Nobody belongs anyplace, everybody’s going to die. Come watch TV.”

Generally the show hints at something akin to a coronary heart, but let’s face it: By way of its worldview, Rick and Morty is The Simpsons as written by Nietzshe, shortly after he went insane.

But even if Rick and Morty had all the glowing positivity of Mr. Rogers’ Neighborhood, the content material would still be enough to make it superlatively problematic.

On any given episode, animated characters might have their arms ripped off or their heads smashed in or, perhaps, have their heads smashed in with their own ripped-off arms. Animated blood falls like rain in Seattle. And Rick and Morty’s not above showing somewhat animated skin, either. Or a lot. And even sexual interludes.

The show is rated TV-14, however it really gets that by the use of technicality. Some bad language (f-words and s-words, principally) is bleeped on Cartoon Network’s late-evening Adult Swim block of programming, nevertheless it’s fairly obvious from the context what those words are.

I might prefer to say it’s a disgrace Rick and Morty did not throttle back on its content somewhat—that, if it had finished so, the show can be a lot better. But that would be a lie. This is the sort of show where gratuitous content, shock and nihilism are all part of the point—a chunk of its “charm,” should you will. It is not a sequence that may be cleaned up with a censoring service or considered use of a quick-forward button. The real disgrace is that the show’s kinda funny … and that it is nonetheless so bad.

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